pyros soul wrote:So, what other glitches do you know?
For instance: ever met any of the
larger inhabitants of the island?
Some are kinda scary. 
They make good guards, tho.
Snapshots from the island
Nope. No file manipulations, no special commands, no map editor, no PS. Just debug and my trusty, rusty camera.Silb wrote:Does this involve 'sizenear'?
Sorry; can't seem to get them to stand with their back to a block that's tall enough.Colicedus wrote:Lets see a Screen shot of One of those Monstrosities geting Spine Crusher
Indeed. It can happen to anyone on the island, apparently.Colicedus wrote:Holycrap!
*****************"Have you been working out, Skip?"************"April, does Mom look different to you?"
*"Think I'll leave this level 'til later." ************"Hope he doesn't hear me."***********
T likes to stay on friendly terms with them..................................................................................but I think he carries it too far sometimes.
PS: There are a couple clues in these screens.
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pyros soul
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pyros soul
- Posts: 402
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Well, nobody asked before; I thought nobody cared to know.
For giants, try blowing up a non-enemy. (Yah, blood splatters was the hint.) Then either get close or far away. Sometimes they show as giants near, and sometimes far. And sometimes not at all. Jack in the opening scene of the campaign usually works, though.
I usually turn my friends and family (Clover and April) into wolves before I blow 'em up. I feel bad otherwise. Really.
As for the scene with Aspen and his friends having a lie-down, hit slo-mo (B) before the end of one scene, then hold stop-action (V) as your 'puter is loading the next scene in the campaign. You'll see lots of weird things.
And if you think you can't move during dialogue, hit ragdoll (N) and watch what happens. Better hit H, too; sometimes it kills you. Slo-mo increases the effect. That's how I made the April on the look-out sequence.
See me down in the valley with the raider who went astray? I just hit the deck again after sneakin' up on him. When I hit the key to finish the dialogue and start the scene, I was right behind him. Surprise!
More later. I gotta go eat Turkey. Happy T-Day to all the 'Murkins out there. And just happy Thursday to everyone else.
PS: If you want a screen of a dialogue scene using cmd-shft-3, hit V first; number keys advance the scene.
For giants, try blowing up a non-enemy. (Yah, blood splatters was the hint.) Then either get close or far away. Sometimes they show as giants near, and sometimes far. And sometimes not at all. Jack in the opening scene of the campaign usually works, though.
I usually turn my friends and family (Clover and April) into wolves before I blow 'em up. I feel bad otherwise. Really.As for the scene with Aspen and his friends having a lie-down, hit slo-mo (B) before the end of one scene, then hold stop-action (V) as your 'puter is loading the next scene in the campaign. You'll see lots of weird things.
And if you think you can't move during dialogue, hit ragdoll (N) and watch what happens. Better hit H, too; sometimes it kills you. Slo-mo increases the effect. That's how I made the April on the look-out sequence.
See me down in the valley with the raider who went astray? I just hit the deck again after sneakin' up on him. When I hit the key to finish the dialogue and start the scene, I was right behind him. Surprise!More later. I gotta go eat Turkey. Happy T-Day to all the 'Murkins out there. And just happy Thursday to everyone else.
PS: If you want a screen of a dialogue scene using cmd-shft-3, hit V first; number keys advance the scene.
